I was awed to see the depth, quality and simplicity of Svenja's book, Wasserwesen, conceived, photographed, and designed as her thesis the Fachhochscule Düsseldorf. Knödler implies the presence and effects of water without literally showing water itself. Taking the plunge into the new world, Svenja also produces a self-initiated project called "Immigressions." I love one of her pieces that also implies water.

The immigressions also make a great impression as a group.

Svenja Knödler's work covers the heights and the ultimate in earthy; the former in the form of a postcard for The High Line and the latter art direction for Jacques, a saucy-naughty mag for men.
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